Peter Eisenman is an architect and educator. he was born in in newark, new jersey, usa. he received a bachelor of architecture degree. Deconstruction in architecture arose and grown inseparable with the long process of the development of architecture itself, also influenced by social condition. Arsitektur Dekonstruksi. 2 likes. Book. Arsitektur Dekonstruksi. Privacy · Terms. About. Arsitektur Dekonstruksi. Book. 2 people like this topic. Want to like this.
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GATEWALL®: Arsitektur Dekonstruksi ala Peter Eisenman
Jumat, 20 September arsitektur dekonstruksi. Deconstructivist philosophy Some Deconstructivist architects were influenced by the French philosopher Jacques Derrida. Eisenman was a friend of Derrida, but even so his dekonnstruksi to architectural design was developed long before he became a Deconstructivist. For him Deconstructivism should be considered an extension of his interest in radical formalism.
Some practitioners of deconstructivism were also influenced by the formal experimentation and geometric imbalances of Russian constructivism. There are additional references in deconstructivism to 20th-century movements: Deconstructivism attempts to move away from the supposedly constricting ‘rules’ of modernism such as ” form follows function ,” ” purity of form ,” and ” truth to materials.
The main channel from deconstructivist philosophy to arzitektur theory was through the philosopher Jacques Derrida ‘s influence with Peter Eisenman. Eisenman drew some philosophical bases from the literary movement Deconstructionand collaborated directly with Derrida on projects including an entry for the Parc de la Villette competition, documented in Chora l Works.
Both Derrida and Eisenman, as well arsitekktur Daniel Libeskind  were concerned with the ” metaphysics of presence ,” and this is the main subject of deconstructivist philosophy in architecture theory. The presupposition is that architecture is a language capable of communicating meaning and of receiving treatments by methods of linguistic philosophy.
Both Derrida and Eisenman believe that the locus, or place of presence, is architecture, and the same dialectic of presence and absence is found in construction and deconstructivism. According to Derrida, readings of texts are best carried out when working with classical narrative structures.
Any architectural deconstructivism requires the existence of a particular archetypal con struction, a strongly-established conventional expectation to play flexibly against. His starting point was a prototypical suburban house embodied with a typical set of intended social meanings.
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Gehry altered its massing, spatial envelopes, planes and other expectations in a playful subversion, an act of “de”construction” . In addition to Derrida’s concepts of the metaphysics of presence and deconstructivism, his notions of trace and erasure, embodied in his philosophy of writing and arche-writing  found their way into deconstructivist memorials. Daniel Libeskind envisioned many of his early projects as a form of writing or discourse arsiteitur writing and often works with a form of concrete poetry.
He made architectural sculptures out of books and often coated the models in texts, openly making his architecture refer to writing. The notions of trace and erasure were taken up by Libeskind in essays and in his project for the Jewish Museum Berlin.
The museum is conceived as a trace of the erasure of the Holocaustintended to make its subject legible and poignant. Diposting oleh hendra irawan di