Antonio Caldara. Crucifixus, for chorus & organ. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Results 1 – 10 of 11 This page lists all recordings of Crucifixus a 16 voci by Antonio Caldara (c ). Antonio Caldara ( – 28 December ) was an Italian Baroque composer. Caldara was ); D’improvviso (cantata); “Alma del core” (aria); “Selve amiche” (aria); Missa Dolorosa (); Crucifixus; Template:Come Ragio di Sol.
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Suddenly there is a grand pause.
Caldara: Crucifixus a 16 voci (page 1 of 2) | Presto Classical
This beautiful and moving setting in voice parts is by a composer equally influenced by the Venetian and then Viennese styles of the time. Stabat Mater; Miserere II. Then the work crucifixud with an extended yet peaceful cadence. Retrieved from ” https: Fabio BiondiVirgin. Caldara removed from Mantua inafter the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles IIIthe pretender to the Spanish throne following the death of Charles II of Spain in without any direct heir and who kept a royal court at Barcelona.
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A remarkable and unusual crucifixu of dominant seventh chords is reached toward the end, appearing naturally and skillfully from the previous counterpoint, creating the sensation of a magnificent yet unresolved journey.
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In other projects Czldara Commons. Share on facebook twitter tumblr. From Wikipedia, the free encyclopedia. Antonio Caldara — 28 December was an Italian Baroque composer.
Antonio Caldara – Wikipedia
There, he wrote some operas that are the first Italian operas performed in Crucifixxus. He stopped at the Salzburg court on his return journey to Rome, where he was well received and to which he subsequently sent one new opera annually from to He became a chorister at St Mark’s in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi.
Several of his works have libretti by Pietro Metastasio cadlara, the court poet at Vienna from This was what evolved of the “prima prattica” old style by the cruifixus Baroque, the old polyphony was mixed with the new harmonic and other expressive compositional devices. This page was last edited on 24 Novemberat Because Caldara sets several phrases of the text simultaneously, he gives each phrase a different musical gesture that allows the whole to be heard clearly: Compositions by Antonio Caldara.
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An excellent introduction to Caldara’s work, which should crucivixus followed by listening to his brilliant setting of the “Stabat Mater”.
Crucifixus (Caldara, Antonio)
A Baroque basso continuo lays a firm foundation for the work, allowing great contrapuntal movement in the higher voices. Caldara is best known as a composer of operascantatas and oratorios.
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