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Contemplating Music: Challenges to Musicology – Joseph Kerman – Google Books
He was also a teacher at American and British universities for more than 40 years. His scholarly interests broadened out to include Verdi on Strunk’s suggestion and, later, Beethoven. At the same time, Kerman was keen jusicology distance himself from the out-and-out formalism of music analysis, which gained enormous prestige during his career.
Want to Read saving…. My library Help Advanced Book Search. Challenges to Musicology Joseph Kerman No preview available – He again became chairman of the Music Department from until He continued to work on Elizabethan music, producing an outstanding study for the New York Review of Books of Byrd’s peculiar status as a Roman Catholic serving a Protestant regime. The university, for its part, was aggrieved to discover that Kerman still retained a post in Ekrman in his absence, though the fact that Kerman sold his beloved house in Berkeley surely proved he was kerrman about the move to Oxford.
There, they conclude that “the usual obituary musicokogy would not work”  and continue:. Views Read Edit View history. The Art of Fugue examines JS Bach’s exploration of the contrapuntal possibilities of a single theme.
Meyer, Heinrich Schenker, Miltion Babbit, and many others. Music books Music Education Higher education obituaries.
He is survived by his brother, the noted bassoonist George Zukerman, his son Peter Kerman, his daughter Lucy Kerman, and five grandchildren: Challenges to Musicologywhich argued that the intellectual isolation of musical theorists and musicologists mysicology their excessively positivistic approach had hampered the development of serious musical criticism.
For Kerman, the value of an opera as drama is undermined when there is a perceived disconnection between text and music. In the last forty years musicology has become a flourishing academic discipline and has impressed itself upon every musician and music lover. Joseph Wilfred Kerman — born Zukerman — – was an American critic and musicologist. Preview — Musicology by Joseph Kerman.
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In addition to obituaries which appeared in the days following his death, two of his former associates in the field of musicology, Professors Roger Parker and Carolyn Abbatepublished some additional comments about working muslcology Kerman in the obituary which they wrote for the British magazine, Opera. In formulating his goal of a critical musicology, Kerman’s model remained the Edinburgh professor Donald Tovey, whose Essays in Musical Analysis had first inspired him to become a musicologist.
For him, writing about music was a humane discipline along the lines of literary criticism, and he deplored the tendency he noted towards arcane jargon and “scientism” in musicology.
And he comments on such various subjects as the amazing absorption of Stephen Foster’s songs into the cannons of “black” music, the new intensity of Verdi research, controversies about kerma on historical instruments, and the merits and demerits of “The New Grove Dictionary of Music and Musicians.
Contemplating Music — Joseph Kerman | Harvard University Press
Sapphire Ng marked it as to-read Feb 16, Books by Joseph Kerman. Kerman died at his home in Berkeley on March 17, Retrieved from ” https: Unlike many of his colleagues, Kerman was convinced that thinking and writing about music was too important to be left to academics. The first was aimed at his peers in musicology; the second a genial meditation on the concerto form aimed clearly at the general reader, which underneath its almost folksy manner concealed some penetrating insights.
Composers who failed to display organic tendencies in their music were automatically downgraded. When young, he used Kerman as a pen-name, and then adopted it officially. Musicology by Joseph Kerman. Grunde Waag rated it liked it Sep 05, Rajabu Mohamed added it Jan 09, Harvard University Press- Music – pages. Together they hosted opera singalongs, elegant dinners, and dance parties at which Joe played jazz piano, enjoyed gardening, dog shows, and shared political intrigue.
Professor Kerman’s book is the first full-scale account of American and British musicology over this, the main span of its development. Our recent titles are available via Edelweiss.
Kerman, the son of an American journalist, was born in London and educated at University College School there. His first book, however, sprang more from his journalism than from his academic work. But the fact that he was probably the only music academic regularly included in dictionaries of quotations — for musicoology description of Puccini’s Tosca as a “shabby little shocker” — points to Kerman’s other role, as a remarkable critic and proselytiser.
Kerman served in the U. Professor of Music, Emeritus. Work on the book necessitated long periods of study in Kermah, a country he enjoyed muzicology “the general musical literacy over here is more concentrated and there’s more of it — the contact you have between music and the general public”.
He based his first book, Opera as Dramaon a series of essays written for The Hudson Review beginning in Bukofzer, professor on the Berkeley music faculty from until his premature death inwas another important influence on him. This book is not yet featured on Listopia. In he published Contemplating Music: In Kerman’s eyes, this application of analysis marked a failure of merman judgment.
By this time, Kerman had already begun to write musical criticism for The Hudson Review, a fiercely intellectual journal, where he found himself rubbing shoulders with the likes of the art critic Clement Greenberg and the literary critic Northrop Frye. No trivia or quizzes yet.